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Learn how to enable JavaScript on your browser. NOOK Book. This book is an exhaustive survey of the philosophy of tragedy from antiquity to the present. What is the nature of the "tragic effect"?

The Philosophy of Tragedy: From Plato to Žižek - Julian Young - Google книги

Some philosophers point to a certain kind of pleasure that results from tragedy. Others, while not excluding pleasure, emphasize the knowledge we gain from tragedy - of psychology, ethics, freedom, or immortality. Through a critical engagement with these and other philosophers, the book concludes by suggesting an answer to the question of what it is that constitutes tragedy "in its highest vocation"?

This book will be of equal interest to students of philosophy and of literature.

In addition to more than fifty articles in philosophy journals and collections, he has published in the Journal of Clinical Neuroscience and the Journal of the Royal Musical Association. Table of Contents 1. Plato; 2. Aristotle; 3. After Aristotle; 4. Hume; 5. Schelling; 6. Hegel; 8. Kierkegaard; 9. Schopenhauer; Nietzsche; Art can transfigure the tragic. In a world that can be embraced for its tragic ends as well as its primordial unity, viewers of art are able to look at the harsh realities of life such as death and dying and find them beautiful. There does not need to be a nihilistic response to the tragedies of the world, Nietzsche offers us a new interpretation.

That interpretation is one that values tragedy as a part of the greater totality of life.

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But the incommensurability of the Holocaust, the impossibility of its transformation into simile or metaphor, dooms its employment as poetic therapy. However her rejection of the transfiguration of this tragedy does not assume that it is impossible for others to find transfiguration. Therefore despite the fact that Silvia Plath and many other viewers will be unable to embrace the primordial unity of the Apollonian and the Dionysian ideals, it is still 24 Harold Schweizer, Suffering and the Remedy of Art, Albany: State University of New York, , p.

If they are to truly change the way a viewer sees tragedy in the world, their meaning within their own context and society will be only one piece of their universal expression. The mental image, on the other hand, maintained its life only in an intangible realm, what may be called cultural memory.

The Philosophy of Tragedy: From Plato to Žižek

It can surely attain stability and degree of articulation and precision characteristic of completed work of art. The mental image is subject to changes in the course of time. But mental images have vitality and power to persist that do not fall short of that of hard matter. It is more difficult to destroy them directly than a bronze cast or a marble statue. By embracing the Nietzschian view of primordial unity, an intangible belief arises.

A piece of work that can take one scene of tragedy and transfigure all worldly tragedy into something beautiful is truly a unique piece of art. Eskew 12 Works Cited Barasch, Moshe.

The Language of Art: Studies in Interpretation. Barzun, Jacques. The Use and Abuse of Art. Danto, Arthur C. Deinhard, Hanna. Meaning and Expression; toward a Sociology of Art. Boston: Beacon, Kames, Henry Home, Lord.

Similar books and articles

Concerning the Spiritual in Art. London: Tate, Kinch, Ashby. Leiden: Brill, Nehamas, Alexander. Princeton: Princeton University Press, Schweizer, Harold. Suffering and the Remedy of Art.


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Albany: State University of New York, Shiner, Larry E. Chicago: University of Chicago, Townsend, Dabney. Hume's Aesthetic Theory: Taste and Sentiment. London: Routledge, Wolterstorff, Nicholas. Art in Action: Toward a Christian Aesthetic. Grand Rapids: Eerdmans, Young, Julian.